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Mencken’s journalistic contributions to The Sun. The Mencken was well received, some reader responses was particularly enjoyable: “It’s easier to read with the new type even though the type is designed by a French.”Why it is called Mencken?The name Mencken is a tribute to H. At the time of its implementation, a survey of the newspaper’s readers has revealed that its previous typeface, drawn in the mid-1990s, was unsatisfactory. As usual, she was looking for new typeface options in order to distinguish the redesign that she had started. The story started with a simple email exchange with Lucie Lacava then in charge of redesigning the American East Coast newspaper. Lucie Lacava and I followed the idea launched by Matthew Carter few years ago for some of his typefaces intended for publications.From Baltimore Sun’s project to Typofonderie’s MenckenIt is a bespoke typeface for American newspaper The Baltimore Sun started at the end of 2004 which marks the beginning of this project. Vertical proportions (x-height, capitals height, etc.) were calibrated to be compatible with many Typofonderie typeface families. On the other side of the spectrum, Mencken Head (and narrow variations) is designed on a vertical axis, high contrast, in a contemporary Didot style.The Mencken is therefore a typeface answering to different sorts of uses, whose design is different according to its uses: from oblique axis in small size to vertical axis in large sizes. Its capitals follow Didots to better harmonize the rest of the family. Firstly, Mencken Text is a low-contrast transitional typeface, designed on an oblique axis, asserting horizontal with featuring open counters. Mencken is unique because it is designed according to different axis and optical sizes. It falls into the same category of type classification, while presenting different x-heights or contrasts. Generally, optical size typeface families belong to a same common construction.
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Free fonts often have not all characters and signs, and have no kerning pairs (Avenue ↔ A venue, Tea ↔ T ea).An American Scotch remixed in 27 fonts Mencken has twenty seven styles, divided into three widths, three optical sizes, romans and italics.
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